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The Editor’s Pass is a complete family of workbooks that guide writers through the revision or self-editing process. It’s the macro-to-micro methodology that professional editors use every day, written for writers.

Perfectionism doesn't make your writing better — it stops you from finishing. Here's what 21 years in publishing taught me about quality, errors, and knowing when to call it done.

Stuck in the middle of your draft and can't move forward? This one writer's block trick will get you unstuck and back to writing in minutes.

Can't seem to finish what you start? Here's a 4-step system for setting a writing deadline that actually works — and breaking your project down until it's done.

From PDF markup to EPUB errors: a complete proofreading guide for authors working with a pro or flying solo. Know what to catch before your book publishes.

Before query letters, agents, or book covers: every writer needs to complete their first draft before they can pursue getting published.

Stop staring at the blank page. Here's a 4-step process for writing your first draft from idea to manuscript—without intimidating yourself out of starting.

Finished your first draft? Here's how to tackle your first revision efficiently—when to start, what to look for, and how to plan your attack.

A to-do list sounds simple — but most writers make theirs in ways that set them up to fail. Here are 7 tips for building a to-do list that creates momentum, handles distractions, and actually gets things done: from the three-section structure to immovable items, color categories, gimme tasks, rewards, and the overflow list.

The first step to doing anything well — including writing — is being absolutely terrible at it. A professional editor makes the case for writing badly, consistently, without worrying about quality, and explains why comparing your work to published books is like comparing rhubarb to rhubarb pie.

Writers make three common comparisons that quietly destroy their confidence — comparing their drafts to published books, to peers in their writing group, and to writers at a similar age or stage. Here's why those comparisons are unfair, and two useful comparisons you can make instead.

You have the idea. Now what? This step-by-step process helps writers get their story out of their head and onto the page — using journalism's 5 Ws, inverted pyramid structure, five-act story structure, and a gap-filling exercise to build a solid plot before you draft.

oncise writing isn't always better — but knowing how to cut is a skill every writer needs. A professional editor shares three practical editing techniques for tightening your prose: finding words that can be replaced by one, cutting nothingburgers, and a sentence-by-sentence brevity exercise.

Flash fiction tells a complete story in 1,000 words or fewer — and it's one of the most publishable forms of short fiction. Learn five principles for writing great flash: starting from an image, showing without telling, using reader inference, making characters carry the story, and embracing ambiguity.

Writing with ADHD is hard — focus, executive function, and procrastination work against you at every turn. Here are five strategies a professional editor with ADHD uses to start writing and keep writing, with or without medication.

Reading your own writing with a critical eye is one of the hardest things a writer has to do. These three self-editing strategies — scene-by-scene synopsis, backward reading, and reading aloud — help you create the distance you need to find what's not working at every level, from plot to prose.

An author website helps readers find you, showcases your bibliography, and gives journalists and event organizers a place to pull your bio and press photo. Here's how to build one from scratch — what pages to create, what to put on them, and which platforms make it easy even if you're not a web designer.

Every writer gets asked where their ideas come from. Here are three reliable sources fiction writers can return to again and again: dreams (even fragments), strategic creative borrowing, and the iteration game — a thought exercise that turns any existing story into something entirely your own.

Formatting your own print book interior is doable if you know what decisions to make. This guide walks self-publishing authors through trim size, text block placement, gutter margins, running heads, folios, font selection, leading, chapter openers, and PDF file specs — everything needed to produce a press-ready interior file.

Publishing predators target new and developing authors — and they're getting more sophisticated. Here are five clear warning signs that the "publisher" or "agent" in your inbox isn't legitimate, and what each scam actually looks like in practice.