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The 99-Percent Rule of Worldbuilding: Know Everything, Show Your Reader 1 Percent
Worldbuilding means knowing 100 percent of your world and putting only 1 percent on the page. Here’s the 99-Percent Rule, with Tolkien as the case study.
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Catherine Forrest
19 hours ago8 min read


Your Writing Ideas Aren’t Valuable—And Understanding That Will Set You Free
Ideas can’t be copyrighted, patented, or stolen—because they don’t have inherent value. Here’s what does, how to get unlimited writing ideas for free, and why hoarding your best ones is holding you back.
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Catherine Forrest
Oct 97 min read


How to Write a Villain: The One Thing Every Unforgettable Antagonist Has in Common
The T-1000, Dolores Umbridge, Hannibal Lecter, and a mosquito walk into a bar. Here’s the single characteristic that makes each of them iconic—and how to build it into your own villain.
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Catherine Forrest
Oct 98 min read


How to Get Better at Writing: Stop Trying to Be Good and Do This Instead
The writing you read is the end of a long process. The writing you create is the beginning. Here’s why comparing them is killing your progress—and what to do instead.
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Catherine Forrest
Oct 96 min read


How to Plan Your Novel Without an Outline: The Story Synopsis Method
Hate outlining but need to know if your story holds together before you write 50,000 words? This synopsis-based planning method works for plotters, pantsers, and everyone in between.
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Catherine Forrest
Oct 27 min read


How to Raise the Stakes in Your Story: 3 Rules Every Writer Needs
Stakes don't have to be world-ending from page one. Here's a 3-rule framework for escalating stakes naturally through any story—illustrated with a masterclass from Aliens and Emma.
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Catherine Forrest
Oct 27 min read


Aphantasia and Writing: How I Write Vivid Fiction Without Seeing a Single Image in My Mind
Aphantasia means the mind's eye is completely dark—no mental images, ever. Here's what reading and writing fiction is actually like when you can't visualize anything, and the surprising ways it shapes the craft.
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Catherine Forrest
Sep 259 min read


Am I a Real Writer? 6 Gatekeeping Myths That Keep You From the Page
You don't need an MFA, a day job in publishing, or a daily writing compulsion to call yourself a writer. Here are six "real writer" myths debunked—and the only thing that actually makes you one.
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Catherine Forrest
Sep 258 min read


5 Poker Strategies That Will Skyrocket Your Reader Engagement
Every time you publish, you're asking readers to bet their time on you. These five poker-inspired strategies will help you hook them fast, keep them invested, and leave them wanting more.
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Catherine Forrest
Sep 259 min read


5 Steps to Plot Your Novel (Once You Master the Difference Between Plot and Story)
Plot and story aren't the same thing—and conflating them is one of the most common reasons manuscripts stall. Here's exactly what sets them apart, and a five-step method for plotting your book from start to finish.
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Catherine Forrest
Sep 258 min read


Why Perfectionism Is the Enemy of Good Writing (And What to Do Instead)
Perfectionism doesn't make your writing better — it stops you from finishing. Here's what 21 years in publishing taught me about quality, errors, and knowing when to call it done.
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Catherine Forrest
Sep 1110 min read


4 Steps to Finish Your Writing Project on a Deadline
Can't seem to finish what you start? Here's a 4-step system for setting a writing deadline that actually works — and breaking your project down until it's done.
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Catherine Forrest
Sep 119 min read


Why You Should Stop Trying to Get Good at Writing (and Just Write Badly Instead)
The first step to doing anything well — including writing — is being absolutely terrible at it. A professional editor makes the case for writing badly, consistently, without worrying about quality, and explains why comparing your work to published books is like comparing rhubarb to rhubarb pie.
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Catherine Forrest
Sep 46 min read


Where Do Writers Get Their Ideas? 3 Goldmines Worth Mining Every Day
Every writer gets asked where their ideas come from. Here are three reliable sources fiction writers can return to again and again: dreams (even fragments), strategic creative borrowing, and the iteration game — a thought exercise that turns any existing story into something entirely your own.
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Catherine Forrest
Aug 274 min read
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